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Current Visiting Poets
Jericho Brown is the recipient of a Whiting Writers’ Award and fellowships from the John Simon Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard University, and the National Endowment for the Arts. Brown’s first book, Please (2008), won the American Book Award. His second book, The New Testament (2014), won the Anisfield-Wolf Book Award and was named one of the best of the year by Library Journal, Coldfront, and the Academy of American Poets. He is also the author of the collection The Tradition (2019). His poems have appeared in Buzzfeed, The Nation, The New York Times, The New Yorker, The New Republic, Time, and The Pushcart Prize Anthology, and several volumes of The Best American Poetry anthologies. He is an associate professor and the director of the Creative Writing Program at Emory University in Atlanta.
Eduardo C. Corral's first book, Slow Lightning, won the Yale Series of Younger Poets competition in 2011. His second book, Guillotine, will be published by Graywolf Press in 2020. He's the recipient of a Whiting Writers' Award, a National Endowment for the Arts Fellowship, the Holmes National Poetry Prize and the Hodder Fellowship, both from Princeton University. He teaches in the MFA program in Creative Writing at North Carolina State University.
Kwame Dawes has authored 35 books of poetry, fiction, criticism, and essays, including, most recently, Bivouac (Akashic Books, 2019) and City of Bones: A Testament (Northwestern, 2017). Speak from Here to There (Peepal Tree Press), co-written with Australian poet John Kinsella, appeared in 2016. He is Glenna Luschei Editor of Prairie Schooner and Chancellor’s Professor of English at the University of Nebraska. He is also a faculty member in the Pacific MFA Program. He is Director of the African Poetry Book Fund and Artistic Director of the Calabash International Literary Festival. Dawes is a Chancellor of the Academy of American Poets.
Mai Der Vang is the author of Afterland (Graywolf Press, 2017), winner of the 2016 Walt Whitman Award of the Academy of American Poets, longlisted for the 2017 National Book Award in Poetry, and a finalist for the 2018 Kate Tufts Discovery Award. She was also the co-editor of the anthology How Do I Begin? A Hmong American Literary Anthology (Heyday, 2011). In Fall 2019, she will teach in the Creative Writing MFA Program at Fresno State University.
Natalie Diaz was born in the Fort Mojave Indian Village in Needles, California. She is Mojave and an enrolled member of the Gila River Indian community. She earned a BA from Old Dominion University, where she received a full athletic scholarship. Diaz played professional basketball in Europe and Asia before returning to Old Dominion to earn an MFA. She is the author of the poetry collection (2012), which reviewer Eric McHenry described as an “ambitious … beautiful book.” Her honors and awards include the Nimrod/Hardman Pablo Neruda Prize for Poetry, the Louis Untermeyer Scholarship in Poetry from Bread Loaf, the Poetry Prize, and a Lannan Literary Fellowship. Diaz's poems and essays have appeared in such publications as Narrative Magazine, Guernica, Poetry Magazine, the New Republic, Tin House, and Prairie Schooner, among others, and she serves as an associate professor in the Department of English as Arizona State University.
Chelsea Dingman is the author of Thaw (University of Georgia Press, 2017), which was selected by Allison Joseph to win the National Poetry Series. She is also the author of the chapbook What Bodies Have I Moved (Madhouse Press, 2018). Dingman has served as a visiting instructor at the University of South Florida, teaching poetry and professional writing. She has won several prizes for her work, including the Southeast Review’s Gearhart Poetry Prize, the Sycamore Review’s Wabash Prize, Water-stone Review’s Jane Kenyon Poetry Prize, and the South Atlantic Modern Language Association’s Creative Writing Award for Poetry. Originally from British Columbia, Canada, Dingman currently resides in Tampa, Florida, with her husband and two young children.
Carolina Ebeid was born in West New York, NJ and is the author of You Ask Me to Talk About the Interior (Noemi Press). She holds an MFA from the Michener Center for Writers and a PhD from the University of Denver. Ebeid has won fellowships from CantoMundo, the Stadler Center for Poetry, the National Endowment for the Arts, as well as a residency fellowship from the Lannan Foundation. She teaches at the Lighthouse Writers Workshop in Denver and helps edit poetry at The Rumpus.
Karen Head is the author of Disrupt This!: MOOCs and the Promises of Technology (a nonfiction book about issues in contemporary higher education), as well as four books of poetry (Sassing, My Paris Year, Shadow Boxes and On Occasion: Four Poets, One Year). She also co-edited the poetry anthology Teaching as a Human Experience: An Anthology of Poetry, and has exhibited several acclaimed digital poetry projects, including her project “Monumental” (part of Antony Gormley’s One and Other Project) which was detailed in a TIME online mini-documentary. Her poetry appears in a number of national and international journals and anthologies. In 2010 she won the Oxford International Women’s Festival Poetry Prize.
Head has held residencies at the Hambidge Center for the Creative Arts and Sciences and the Virginia Center for the Creative Arts-France. She has also taught in study abroad programs in Barcelona, Spain and Oxford, England.
She serves as Editor of the international poetry journal Atlanta Review, and as secretary for the Poetry Atlanta Board of Directors. On a more unusual note, she is currently the Poet Laureate of Waffle House—a title that reflects an outreach program to bring arts awareness to rural high schools in Georgia, which has been generously sponsored by the Waffle House Foundation. She is an Associate Professor in the School of Literature, Media, and Communication at the Georgia Institute of Technology, where she also serves as the Executive Director of the Naugle Communication Center. For fifteen years, Head has been a visiting artist and scholar at the Institute for American Studies at Technische Universität Dortmund in Germany.
Head grew up as an Army Brat—one reason she loves to travel so much, and has family in the Netherlands and the United Kingdom. She is a native of Atlanta, Georgia.
Collin Kelley is the author of the poetry collection Midnight in a Perfect World, recently published by Sibling Rivalry Press. His other poetry collections include Better To Travel (Poetry Atlanta Press), Slow To Burn (Seven Kitchens Press) and Render (Sibling Rivalry Press), chosen by the American Library Association for its 2014 Over the Rainbow Book List. He is also the author of The Venus Trilogy of novels – Conquering Venus, Remain In Light and Leaving Paris – also published by Sibling Rivalry Press. Remain In Light was the runner-up for the 2013 Georgia Author of the Year Award in Fiction and a 2012 finalist for the Townsend Prize for Fiction. A recipient of the Georgia Author of the Year Award and Deep South Festival of Writers Award, Kelley’s poetry, reviews, essays and interviews have appeared in magazines, journals and anthologies around the world. His next project is co-editing Mother Mary Comes To Me: A Pop Culture Poetry Anthology, forthcoming from Madville Publishing.
Jeffrey Levine is the author of three books of poetry: Rumor of Cortez, nominated for a 2006 Los Angeles Times Literary Award in Poetry, Mortal, Everlasting, which won the 2002 Transcontinental Poetry Prize, and most recently, At the Kinnegad Home for the Bewildered, Salmon Press, 2019. Levine’s many poetry prizes include the Larry Levis Prize from the Missouri Review, the James Hearst Poetry Prize from North American Review, the Mississippi Review Poetry Prize, the Ekphrasis Poetry Prize (twice), and the American Literary Review poetry prize. His poems have garnered 21 Pushcart nominations. In addition to his own writing, he is translator of Canto General, Pablo Neruda’s epic work of poetry. A graduate of the Warren Wilson MFA Program for Writers, Levine is Artistic Director and Publisher of Tupelo Press, an award-winning independent literary press located in the historic Berkshire Mountains of Western Massachusetts, now celebrating it’s twentieth year. He also serves as Director of the esteemed Tupelo Press Writing Conferences. Also an accomplished musician, Levine is a concert clarinetist, jazz guitarist and pianist.
Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry and was named one of the top 5 poetry books of the year by the Washington Post. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center. She also works as a freelance writer in Lexington, Kentucky.
Tech BIE, Harvard MBA, exchange student at the Technische Hochschule in Hannover, Germany, and a Lieutenant, USN, on the staff of the Assistant Secretary of Defense, H. Bruce McEver founded Berkshire Capital Corporation in l983, pioneering the concept of providing independent merger, acquisition, and strategic advisory services for investment managers and securities firms. Bruce came to BCC from Paine Webber Group, Inc., where he served as Assistant to the Chairman after Paine Webber acquired Blyth Eastman Dillon, Inc., where he was Vice President for mergers and acquisitions. McEver began his career as a venture capital analyst at Bessemer Securities, Inc., and prior to that was Assistant Vice President, Corporate Finance, at Chemical Bank. A member of the Board of Directors of the Connecticut Chapter of the Nature Conservancy, Bruce is a dedicated conservationist, a passion he demonstrates firsthand in preservation efforts on behalf of natural woodlands, beginning at home on his own 'Utopia Farm' in Salisbury Connecticut. "While industrious and ambitious, a corporate man, he is a great listener, an introspective, quiet, gentle soul--qualities that rarely exist side by side in one person," says longtime friend Jean Robertson, wife of Bruce's Tech roommate, John Robertson.
Bruce started writing in workshops in New York City with Hugh Seidman, Pearl London, Katha Pollitt, Brooks Haxton, David Lehman, and J.D. McClatchy. He has taken writing seminars at Sarah Lawrence College with Thomas Lux and Kevin Pilkington and, most recently, was a summer residency student at the M.F.A. Program for Writers at Warren Wilson College, where he worked with Stephen Dobyns. His poems have appeared in Ploughshares, Westview, The Berkshire Review, The Cortland Review, The Connecticut River Review, The Chattahoochee Review, and The Atlanta Review . He works in New York City and lives in Salisbury, Connecticut on Utopia Farm.
Dunya Mikhail was born in Iraq in 1965 and came to the United States in 1996. Her books include In Her Feminine Sign (2019); The Beekeeper: Rescuing the Stolen Women of Iraq (2018), which was longlisted for the 2018 National Book Award for Literature in Translation; The Iraqi Nights, Diary of A Wave Outside the Sea; and The War Works Hard. She also edited a pamphlet of Iraqi poetry titled15 Iraqi Poets. Her honors include the Kresge Fellowship, Arab American Book Award, and the United Nations Human Rights Award for Freedom of Writing. The War Works Hard was shortlisted for the Griffin Poetry Prize and named one of the New York Public Library’s Twenty-Five Books to Remember from 2005. She is the co-founder of Mesopotamian Forum for Art and Culture in Michigan. She currently works as an Arabic special lecturer at Oakland University in Michigan.
Sandeep Parmar is Professor of English Literature at the University of Liverpool. She holds a PhD from University College London and an MA in Creative Writing from the University of East Anglia.
As Poet Laureate, Robert Pinsky founded the Favorite Poem Project, in which thousands of Americans — of varying backgrounds, all ages, and from every state — shared their favorite poems. The project’s videos, giving voice to the American audience for poetry, demonstrates that, contrary to stereotype, poetry had a vigorous presence in the American cultural landscape. The anthology Americans' Favorite Poems, which includes letters from project participants, is in its 18th printing. A more recent anthology, An Invitation to Poetry, comes with a DVD featuring the FPP video segments, including videos sponsored by the Poetry Foundation. In 2013 WW Norton published Singing School: Learning to Read (and Write) Poetry by Studying with the Masters, a unique combination anthology, personal essay and textbook. His next edited collection will be The Mind Has Cliffs of Fall: Poetry at the Extremes of Feeling (Norton, October 22, 2019).
Elegant and tough, vividly imaginative, Pinsky’s poems have earned praise for their wild musical energy and range. Selected Poems (FSG, 2011) is a collection that spans his career. His The Figured Wheel: New and Collected Poems 1966-1996 was a Pulitzer Prize finalist. Pinsky often performs his poems with eminent jazz musicians, in venues ranging from schools and universities to jazz clubs. His CDs PoemJazz and PoemJazz II House Hour, with Grammy-winning pianist Laurence Hobgood, were released by Circumstantial Productions.
Robert Pinsky’s landmark, best-selling translation of The Inferno of Dante received the Los Angeles Times Book Award and the Howard Morton Landon Prize for translation. He is also co-translator of The Separate Notebooks, poems by Nobel Prize winner Czeslaw Milosz. Pinsky’s prose book, The Life of David, is a lively retelling and examination of the David stories, narrating a wealth of legend as well as scripture. Pinsky also wrote the libretto for Tod Machover’s opera Death and the Powers: A Robot Pageant, which premiered in Monaco in fall 2010. His book, Selected Poems, was published by Farrar Strauss & Giroux in spring of 2011. He was editor of The Best of the Best American Poetry, the twenty-fifth volume of the popular Best American Poetry series. In March – June 2013, the Shakespeare Theatre Company performed his newly commissioned adaptation and translation of Friedrich Schiller’s Wallenstein. His newest book of poetry is At the Foundling Hospital (FSG, October 2016).
Pinsky’s Tanner Lectures at Princeton University were published as Democracy, Culture and the Voice of Poetry (Princeton University Press, 2002). His Campbell Lectures at Rice University were published as Thousands of Broadways: Dreams and Nightmares of the American Small Town (University of Chicago Press, 2009). His online MOOC, “The Art of Poetry,” begins on the EdX platform in September 2014.
Robert Pinsky is the only member of the American Academy of Arts and Letters to have appeared on “The Simpsons” and “The Colbert Report.” For years a regular contributor to PBS’s The NewsHour, he publishes frequently in magazines such as The New Yorker, The Atlantic Monthly, The Threepenny Review and The Best American Poetry anthologies. Pinsky is also the winner of the PEN/Voelcker Award, the William Carlos Williams Prize, the Lenore Marshall Prize, Italy’s Premio Capri, the Korean Manhae Award and the Harold Washington Award from the City of Chicago. He teaches in the graduate writing program at Boston University. In 2015 Boston University named Robert Pinsky a William Fairfield Warren Distinguished Professor, which is the highest honor bestowed on senior faculty members actively involved in research, scholarship, and University civic life, and teaching.
is the editor of Poetry. His most recent books are Wishbone (Black Sparrow),Union (Eyewear), and Bunting’s Persia (Flood Editions); he has also edited a critical edition of Basil Bunting’s poems published by Faber and Faber, a Times (London) Book of the Year, and is editing a selection of Bunting’s prose. His translations of Miguel Hernández, awarded the Times Literary Supplement Translation Prize and Premio Valle Inclán, were published in a revised and expanded edition by New York Review Books, and appear in an earlier edition from Bloodaxe Books. His other books include Seneca in English (Penguin Classics),Squandermania (Salt), The Open Door: 100 Poems, 100 Years of POETRY Magazine and its sequel, Who Reads Poetry: 50 Views from POETRY Magazine (University of Chicago Press). A collaboration with John Kinsella concerning eco-justice, Crown Decline, and a collection of essays about reading and poetry are forthcoming. His work at Poetry has been recognized with three National Magazine Awards for editorial excellence from the American Society of Magazine Editors, and a CLMP (Community of Literary Magazines and Presses) “Firecracker” Award for Best Literary Magazine. He received a VIDA “VIDO” Award for his “contributions to American literature and literary community.”
Mahtem Shiferraw is a writer and visual artist from Ethiopia and Eritrea. Her poetry collection, Fuchsia (University of Nebraska Press, 2016), received the Sillerman First Book Prize for African Poets. She holds an MFA in creative writing from the Vermont College of Fine Arts. She divides her time between Los Angeles, California, and Addis Ababa, Ethiopia.
Eleanor Wilner is the author of Before Our Eyes: New and Selected Poems (Princeton University Press, 2019), which includes poems from her previous seven books of poetry, most recently Tourist in Hell (U. of Chicago) and The Girl with Bees in Her Hair (Copper Canyon). She received the 2019 Frost Medal for distinguished lifetime achievement from the Poetry Society of America; other awards include a MacArthur Foundation Fellowship; the Juniper Prize, and three Pushcart prizes. She has taught at many colleges and universities, and perennially for the MFA Program for Writers at Warren Wilson College. She is a lifelong activist for civil rights and peace.
Javier Zamora was born in El Salvador and migrated to the US when he was nine. He is a Radcliffe Fellow at Harvard University and holds fellowships from CantoMundo, Colgate University, the Lannan Foundation, MacDowell, the National Endowment for the Arts, the Poetry Foundation, Stanford University, and Yaddo. Zamora’s poems appear in Granta, The Kenyon Review, Poetry, The New York Times, and elsewhere. Unaccompanied (Copper Canyon, 2017) is his first collection.